Painting

In the series COLOR FIELD, the artist uses an eyedropper to apply color onto the canvas. Oil meets vinegar when lines of yellow, red, and blue first intersected on the unprimed canvas, creating greens, purples, and grays and various viscosities and idiosyncrasies across the two-dimensional surface within two hours before the lines dried up, time was of the essence and that time is fixed on the canvas.

Text excerpt from “Order and Disorder” Solo Exhibition, Le Laboratoire Gallery, CDMX.

Exhibition Statement by Taylor Fisch, 2022.

LARGE COLOR FIELD (#03)

2023

Acrylic ink, pigments, unprimed canvas Teak wood, natural wax

120 x 120 cm (48” x 48” inches) drawing measurements

129 x 129 framed

Photo by Alejandro X García Suárez

LARGE COLOR FIELD (#01)

2023

Acrylic ink, pigments, unprimed canvas Teak wood, natural wax

120 x 120 cm (48” x 48” inches) drawing measurements

129 x 129 framed

Photo by Alejandro X García Suárez

LARGE COLOR FIELD (#02)

2023

Acrylic ink, pigments, unprimed canvas Teak wood, natural wax

120 x 120 cm (48” x 48” inches) drawing measurements

129 x 129 framed

Photo by Alejandro X García Suárez

LARGE COLOR FIELD (#04)

2023

Acrylic ink, pigments, unprimed canvas Teak wood, natural wax

120 x 120 cm (48” x 48” inches) drawing measurements

129 x 129 framed

Photo by Alejandro X García Suárez

LARGE COLOR FIELD (#05)

2023

Acrylic ink, pigments, unprimed canvas Teak wood, natural wax

120 x 120 cm (48” x 48” inches) drawing measurements

129 x 129 framed

Photo by Alejandro X García Suárez

Previous
Previous

Torque series

Next
Next

Untitled #153